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‘Watchmen’ Director Zack Snyder Discusses Challenges Of Taking Comic To The Big Screen

SAN DIEGOThese days, “300″ Zack Snyder is hard work perfecting the impossible. As you read this, he is undoubtedly in some edit bay, unshaven and chugging a Starbucks, doing his very best to transform “” from an unfilmable into the next smash .

So far, what we’ve seen of his efforts has been nothing short of perfection, from the to the fan-pleasing in-jokes to the decision to have My Chemical cover a Bob Dylan song for the end credits.

But how does he deal with the issue of Dr. Manhattan’s crotch? What does he do when the script demands that he cut secondary characters like Hooded Justice? And why won’t the creator of the graphic novel stop trashing Snyder when he hasn’t even seen the ? In a candid with , the of the March 2009 flick gave us a rundown of the landmines he’s tiptoeing around while crafting a cinematic event worthy of the “” name.

: When “” was first published in 1986-87, was a shock to readers who’d become accustomed to clear-cut, antiseptic . After all the men-in-tights we’ve seen in the last few years, are moviegoers similarly ripe for a that tears apart the mythologies of a type, a Superman type and others?

Zack Snyder: Well, that’s the hope. The hope is that people see their icons in this , and they see them deconstructed. That creates a conversation that is transcendent of a . ’s not just “Oh, that was , let’s get a ,” but “That was great! Let’s talk about !” or “What does that mean?”

: “” creator Alan Moore recently gave an to Entertainment Weekly in which he reinforced his hatred toward any version of his . Moore said he “would rather not know” what you do with your and that “There are things that we did with ‘’ that could only work in a .” How do you feel about his comments?

Snyder: I think ’s consistent with his stance, and I respect that. Like I say, the point of the is not to replace the graphic novel. Look, after the came out, “” went to # on Amazon and suddenly hundreds of thousands of copies of the graphic novel are selling. That’s all I can ask for. If the is successful, that’s great. But in the end, I want people to read [Moore’s] .

: ’s no secret that Nite Owl is based somewhat on . With the success of Christopher Nolan’s , did you try to ramp such comparisons?

Snyder: Well, Nite Owl’s still a character who is a rich guy. He decided to become a crime-fighter. He lives in a brownstone. Under his brownstone is an